{"_index":"bib","_type":"_doc","_id":"5295","_score":null,"_ignored":["booksection.book.abstract.keyword"],"_source":{"id":5295,"authors_free":[{"id":6117,"entry_id":5295,"agent_type":"person","is_normalised":1,"person_id":1319,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Carlos Fraenkel","free_first_name":"Carlos","free_last_name":"Fraenkel","norm_person":{"id":1319,"first_name":"Carlos","last_name":"Fraenkel","full_name":"Carlos Fraenkel","short_ident":"","is_classical_name":0,"dnb_url":"http:\/\/d-nb.info\/gnd\/139395938","viaf_url":"https:\/\/viaf.org\/viaf\/15091384","db_url":"","from_claudius":1,"link":"bib?authors[]=Carlos Fraenkel"}}],"entry_title":"Getting Averroes wrong: why Salman Rushide misunderstood the role of images and the imagination in Medieval philosophy","title_transcript":"","title_translation":"","main_title":{"title":"Getting Averroes wrong: why Salman Rushide misunderstood the role of images and the imagination in Medieval philosophy"},"abstract":"","btype":2,"date":"2021","language":"English","online_url":"","doi_url":"","ti_url":"","categories":[{"id":52,"category_name":"Modern Interpretations and Adaptations","link":"bib?categories[]=Modern Interpretations and Adaptations"}],"authors":[{"id":1319,"full_name":"Carlos Fraenkel","role":1}],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":null,"booksection":{"id":5295,"section_of":5294,"pages":"247\u2013260","is_catalog":null,"book":{"id":5294,"bilderberg_idno":null,"dare_idno":null,"catalog_idno":null,"entry_type":"bibliography","type":4,"language":"no language selected","title":"Enth\u00fcllen und Verbergen in der Vormoderne","title_transcript":"","title_translation":"Revealing and concealing in the premodern period","short_title":"","has_no_author":null,"volume":null,"date":"2021","edition_no":null,"free_date":null,"abstract":"Der vorliegende Band perspektiviert erstmals interdisziplin\u00e4re Beitr\u00e4ge aus dem Feld der Vormoderne im Hinblick auf die f\u00fcr unterschiedliche Bildph\u00e4nomene entscheidende Dynamik von Enth\u00fcllen\/Verbergen und pr\u00e4sentiert so unterschiedliche Zug\u00e4nge, die das Thema f\u00fcr die Vormoderne als ein zentrales Moment fruchtbar machen: f\u00fcr Bildpraktiken in ihren unmittelbaren sozialen, religi\u00f6sen und historischen Zusammenh\u00e4ngen ebenso wie f\u00fcr die begriffsgeschichtliche Relevanz von Enth\u00fcllen\/Verbergen, die letztlich dar\u00fcber entscheidet, was im jeweiligen, kulturellen Kontext Bild ist. Als Versuch eines vormodernen Panoramas der substantiellen Bewegung von Enth\u00fcllen\/Verbergen versammelt der Band Beitr\u00e4ge aus den Bereichen der Sinologie, \u00c4gyptologie, der Iranistik, Alt-Philologie, Philosophie und der mittelalterlichen und islamischen Kunstgeschichte.","republication_of":0,"online_url":"","online_resources":null,"translation_of":"0","new_edition_of":"0","is_catalog":0,"in_bibliography":0,"is_inactive":0,"notes":null,"ti_url":"","doi_url":"","book":{"id":5294,"pubplace":"Paderborn","publisher":"Brill Fink","series":"","volume":"","edition_no":"","valid_from":null,"valid_until":null}}},"article":null},"sort":["Getting Averroes wrong: why Salman Rushide misunderstood the role of images and the imagination in Medieval philosophy"]}